Johnny Cash

Members: Johnny Cash

Active: 1955-2003

Johnny Cash (February 26, 1932 - September 12, 2003) was an influential American country music and rock music singer, guitarist and songwriter and the husband of June Carter Cash.

Cash was known for his deep, distinctive voice, the boom-chick-a-boom or "freight train" sound of his Tennessee Three backing band, and his dark clothing and demeanor, which earned him the nickname "The Man in Black." He started all his concerts with the simple introduction: "Hello, I'm Johnny Cash."

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption. Hits include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Man In Black" and a cover of the Nine Inch Nails song, "Hurt". He also recorded several humorous songs, such as "One Piece At A Time", "The One on the Right Is on the Left" and "A Boy Named Sue"; bouncy numbers such as "Get Rhythm"; and various train-related songs, such as "The Rock Island Line".

He sold over 50 million albums in his nearly 50 year career and is generally recognized as one of the most important musicians in country music in several genres.


The Man in Black" was born J.R. Cash (no middle name) in Kingsland, Arkansas, and then raised in Dyess, Arkansas. By age five he was working in the cotton fields, singing along with his family as they worked. The family farm was flooded on at least one occasion, which later inspired him to write the song "Five Feet High And Rising." His family's economic and personal struggles during the Depression (when Cash was growing up) shaped him as a person and inspired many of his songs, especially those about other people facing personal struggles.

Cash had assumed in his younger days that he was mainly Irish and partially Native American (he had been told he was one-quarter Cherokee). However, upon researching his ancestry, he found he was of completely Scottish heritage. As a matter of fact, he found records of direct ancestors in Scotland who shared the name "Cash" dating back to the 16th century, according to his 1997 autobiography.

Although lacking any Native American ancestry, Cash's empathy and compassion for Native Americans was unabated, and was expressed in several of his songs, like "Apache Tears", "Ballad of Ira Hayes"; and his album "Bitter Tears", songs told from the viewpoint of Native Americans.

Cash was very close to his brother Jack, who was two years older. In 1944, Jack was pulled into a whirling table saw in the mill where he worked, and almost cut in two. He suffered for over a week before he died. There was some talk that Jack's death might not have been accidental; a local bully was seen running from the shop shortly before Jack was found. However, Cash did not discuss that theory in his autobiography, nor the report in some circles that Cash made investigation of the incident a personal obsession. Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of forboding about that day, and his mother urged Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven. He wrote that he had seen his brother many times in his dreams, and that Jack always looked two years older than whatever age Cash himself was at that moment. It is widely thought that the dark side of his world view was shaped by this traumatic event.

Cash's early memories were dominated by gospel music and radio. He began playing guitar and writing songs as a young boy, and in high school sang on a local radio station. Decades later, he would release an album of traditional gospel songs, called "My Mother's Hymn Book".

He was given the name J.R. on his birth certificate, reportedly because his parents could not agree on a name, only on initials. (Giving children names consisting of only initials was not uncommon in those days.) He enlisted as a radio operator in the United States Air Force. The military would not accept just initials as his name, so he adopted John R. Cash as his given name, which came to be his legal name. When he signed for Sun Records in 1955, his name changed again, to Johnny Cash. His friends and in-laws generally called him John (not Johnny, which was regarded as a stage name) and his blood relatives often still called him by his birth name, J.R.


During his stretch in the Air Force, Cash founded his first band, called the "Landsberg Barbarians", named for Air Force base in Landsberg am Lech, Germany.

After his term of service ended, Cash married Vivian Liberto in 1954 and moved to Memphis, Tennessee, where he sold appliances (or tried to) while studying to be a radio announcer. At night, he played with guitarist Luther Perkins and bass player Marshall Grant (together known at first as the Tennessee Two). Cash worked up the courage to visit the Sun Records studio, hoping to garner a recording contract. Sun producer Cowboy Jack Clement met with the young singer first, and suggested that Cash return to meet producer Sam Phillips. After auditioning for Phillips, singing mainly gospel tunes, Phillips told him to "go home and sin, then come back with a song I can sell." Cash eventually won over Phillips and Clement with new songs delivered in his early frenetic style. His first recordings at Sun, "Hey Porter" and "Cry Cry Cry," were released in 1955 and met with reasonable success on the country hit parade.

Cash's next record, "Folsom Prison Blues," made the country Top 5, and "I Walk the Line" was No. 1 on the country charts, making it into the pop charts Top 20. Following "I Walk the Line" was Johnny Cash's "Home of the Blues," recorded in July 1957. In 1957, Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently best-selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Elvis Presley had already left the label, and Phillips was focusing most of his attention and promotion on Jerry Lee Lewis. The following year, Cash left Sun to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" would become one of his biggest hits.

In 1955, Cash's daughter, Rosanne, was born. Although he would have three more daughters (Kathleen in 1958, Cindy in 1959 and Tara in 1961) with his wife, their relationship began to sour, as he was constantly touring. It was during one of these tours that he met June Carter. Cash proposed onstage to Carter at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later in Franklin, Kentucky. By June's account, in the liner notes to the compilation album "Love" (2000), the song "I Still Miss Someone" was written about her.


As his career was taking off in the early 1960s, Cash began drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, Cash shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the signs of his worsening drug addiction.

Although in many ways spiraling out of control, his frenetic creativity was still delivering hits. His song "Ring of Fire" was a major crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore and originally performed by Carter's sister, but the signature mariachi-style horn arrangement was provided by Cash, who says it came to him in a dream. The song describes the personal hell Carter went through as she wrestled with her forbidden love for Cash (they were both married to other people at the time) and as she dealt with Cash's personal "ring of fire" (drug dependency and alcoholism).

Cash sometimes spoke of his erratic, drug-induced behavior with some degree of bemused detachment. In his 1997 autobiography, he told of how his truck caught fire and managed to trigger a forest fire that burnt down half of a national forest. When the judge asked Cash why he did it, Cash said in his then-flippant style, "I didn't do it, my truck did, and it's dead so you can't question it."

Although he carefully cultivated a romantic outlaw image, many fans are surprised to learn that he never served a prison sentence, although he landed in jail seven times for misdemeanors, each stay lasting a single night. His most serious and famous run-in with the law occurred while on tour in 1965, when he was arrested by the narcotics squad in El Paso, Texas. Although the officers suspected that he was smuggling heroin from Mexico, he was actually smuggling amphetamines inside his guitar case. (One report said that he was carrying a total of 1,163 pills). Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

He was arrested the following year in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

The mid-1960s saw Cash release a number of concept albums, including Ballads Of The True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration; and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, however, and his destructive behavior led to a divorce from his wife and canceled performances.

At one point in 1967, he crawled into Nickajack Cave, high on amphetamines, with the intent of ending his life. He pulled back from tragedy but the event convinced his first wife, Vivian, who up until this point had refused to grant him a divorce, to be done with the marriage.

Cash and June Carter were married soon after Cash proposed to her during a concert in London, Ontario in 1968. Film critic Roger Ebert reported in his review of Walk the Line that, despite the "Hollywood ending" of the film, his on-stage proposal and June's acceptance actually did occur that way. The love ballad "Flesh and Blood" is one of the first of many songs Cash would write about his second wife.


While an airman in West Germany, Cash became aware of the plight of prison inmates, while watching the B-movie Inside the Walls of Folsom Prison (1951). This inspired him to write an early draft of one of his most famous songs, "Folsom Prison Blues".

Cash felt great compassion for prisoners. As he wrote in his 1997 autobiography, he began performing concerts at various prisons starting in the late 1950s. These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a powerful rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the US Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were blipped out in that more-sensitive era. The modern CD versions are unedited and uncensored, and thus also longer than the original vinyl albums, giving a good flavor of what the concerts were like, with their highly receptive audiences of convicts.

Apart from his performances at Folsom Prison and San Quentin, and various other U.S. correctional facilities, Cash also performed at ?ster?keranstalten (The ?ster?ker Prison) north of Stockholm, Sweden in 1972. The recording was released in 1973. Between the songs Cash can be heard speaking Swedish which was greatly appreciated by the inmates.

Shortly after his historic concert at Madison Square Garden in the waning days of the 1960s, his son John Carter Cash was born.

After he quit using drugs in the late 1960s and early 1970s, Cash rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area. Cash chose this church over many other larger, celebrity churches in the Nashville area because he said he was just another man there, and not a celebrity.


From 1969 to 1971, Cash starred in his own television show on the ABC network. The singing group The Statler Brothers got their start on the show, opening up for him in every episode. Notable rock artists appeared on his show, including Neil Young, The Monkees and Bob Dylan. Cash had been an early supporter of Dylan even before they had met, but they became friends while they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. In addition to the appearance on his TV show, Cash sang a duet with Dylan on his country album Nashville Skyline, and also wrote the album's Grammy-winning liner notes. Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down," Cash made headlines when he refused to change the lyrics to suit network executives, singing the song with its controversial references to marijuana intact: "On the Sunday morning sidewalks / Wishin', Lord, that I was stoned."

Immensely popular, and an imposingly tall figure, by the early 1970s he had crystallized his public image as "The Man in Black." He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in stark contrast to the costumes worn by most of the major country acts in his day: rhinestone Nudie suits and cowboy boots. In 1971, Cash wrote the song "Man in Black" to help explain his dress code: "I wear the black for the poor and the beaten down, / Livin' in the hopeless, hungry side of town, / I wear it for the prisoner who has long paid for his crime, / But is there because he's a victim of the times."

In his 1997 autobiography, he elaborated that he and his band had initially worn black shirts because that was the only matching color they had among their various outfits. He wore other colors onstage early in his career, and he said he wore any color he wanted to offstage. In addition to the "official" reasons for wearing black, he said he simply liked it.

In the mid-'70s, Cash's popularity and hit songs began to decline, but his autobiography, titled Man in Black, was published in 1975 and sold 1.3 million copies. (A second, Cash: The Autobiography, appeared in 1997). His friendship with Billy Graham led to the production of a movie about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated. The decade saw his religious conviction deepening, and in addition to his regular touring schedule, he made many public appearances in an evangelical capacity.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo, as well as a recurring role on Dr. Quinn, Medicine Woman. He did a voice cameo on The Simpsons in the show's eighth season, playing the voice of a coyote that guides Homer on a spiritual quest (in episode 3F24). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a stirring performance as John Brown in the 1980s Civil War television mini-series North and South.

He was friendly with every U.S. President starting with Richard Nixon. He was least close with the last two, Bill Clinton and George W. Bush, because of a personal distrust for both men and because of his declining health. He was probably closest with Jimmy Carter, who was actually a very close friend as well as a distant relative of his wife, June Carter Cash. None of these friendships were about politics, as he never particularly supported any administration but was just friendly with the nation's leaders. He stated in his 1997 book that he found all of them personally charming, noting that that fact was probably essential to getting oneself elected.

When invited to perform at the White House for the first time in 1972, President Richard Nixon's office requested that he play "Okie from Muskogee" (a Merle Haggard song that negatively portrays youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song that derides the integrity of welfare recipients). Cash declined to play either song and instead played a series of his own more left-leaning, politically-charged songs, including "The Ballad of Ira Hayes" (about a brave Native-American World War II veteran, one of the men memorialized on the famous flag Raising photograph taken on Iwo Jima, who was racially mistreated upon his return to Arizona), "Man in Black" and "What is Truth?"


In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s his records failed to make a major impact on the country charts, though he continued to tour successfully. In the mid-1980s he recorded and toured with Waylon Jennings, Willie Nelson and Kris Kristofferson as The Highwaymen, making two hit albums.

During this period, Cash appeared as an actor in a number of television films. In 1981, he starred in The Pride Of Jesse Hallam. Cash won fine reviews for his work in this film that called attention to adult illiteracy. In 1983, Cash also appeared as a heroic sheriff in Murder In Coweta County, which co-starred Andy Griffith as his nemesis. This film was based on a real life Georgia murder case; Cash had tried for years to make the film, which would win him acclaim. {Coincidentally, in 1974 Cash starred as a country-singer/killer on a Columbo movie "Swan Song."}

Cash relapsed into addiction after a serious stomach injury in 1983 caused by a bizarre incident in which he was kicked and critically wounded by an ostrich he kept on his farm. He was administered painkillers as part of the recovery process, which led to a return to substance abuse. During his recovery at the Betty Ford Clinic in 1986, he met and befriended Ozzy Osbourne, one of his son's favorite singers. Cash discusses this series of events at some length in his 1997 autobiography.

At another hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.

Cash's recording career and his general relationship with the Nashville establishment was at an all-time low in the 1980s. He realized his record label of nearly 30 years, Columbia, was growing indifferent to him and wasn't properly marketing him (he was "invisible" during that time, as he said in his autobiography). So, in a real-life scenario reminiscent of the Mel Brooks movie The Producers, Cash recorded an intentionally awful song, a self-parody. Chicken in Black was about Johnny's brain being transplanted into a chicken. Ironically the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it wasn't long after Chicken in Black that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album, Class of '55. This was not the first time he had teamed up with Lewis and Perkins at Sun Studios. On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. The three started an impromptu jam session and Phillips left the tapes running. He later telephoned Cash and brought him in to join the others. These recordings, almost half of which were gospel songs, survived and have been released on CD under the title Million Dollar Quartet. Tracks also include Chuck Berry's "Brown Eyed Handsome Man," Pat Boone's "Don't Forbid Me" and Elvis doing an impersonation of Jackie Wilson (who was then with Billy Ward and the Dominoes) singing "Don't Be Cruel."

In 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul.


After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records.

His career was rejuvenated in the 1990s, leading to unexpected popularity and iconic status among a younger audience not traditionally interested in country music, such as aficionados of indie rock and even hip-hop. In 1993, he sang the vocal on U2's "The Wanderer" for their album Zooropa. Although he was no longer sought after by major labels, Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and hard rock than for country music. Under Rubin's supervision, he recorded the album American Recordings (1994) in his living room, accompanied only by his guitar. The video for the first single, the traditional song "Delia's Gone," was put into rotation on MTV, including a spot on Beavis and Butt-head. The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as heavy metal band Danzig (whose frontman, Glenn Danzig, penned a song called "Thirteen" specifically for Cash) and Tom Waits helped to bring him a new audience. American Recordings received a Grammy for Contemporary Folk Album of the Year at the 1994 Grammy Awards. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and surprising commercial success. In addition to this, Cash and his wife appeared on a number of episodes of the popular television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him.

For his second album with Rubin, 1996's Unchained, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers. In addition to many of Cash's own compositions, Unchained contained songs by Soundgarden ("Rusty Cage") and Beck ("Rowboat"), as well as a guest appearance from Flea, bassist for the Red Hot Chili Peppers. The album also included a cover of a classic 1962 Hank Snow song called "I've Been Everywhere", written by Geoff Mack. Despite being virtually ignored by country music radio and the Nashville establishment, Unchained received a Grammy for Best Country Album. Cash and Rubin bought a full-page ad in Billboard magazine sarcastically thanking the country music industry for its continued support, accompanied by a picture of Cash displaying his middle finger.


In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a diagnosis that was later altered to autonomic neuropathy associated with diabetes. His illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The album American III: Solitary Man (2000) contained Cash's response to his illness, typified by a version of Tom Petty's "I Won't Back Down," as well as a powerful reading of U2's "One." American III: Solitary Man, just like Cash's two previous albums produced by Rick Rubin, was a Grammy winner, taking home the award for the Best Country Male Vocal Performance for Cash's version of the Neil Diamond classic "Solitary Man."

Cash released American IV: The Man Comes Around (2002), consisting partly of original material and partly of covers. The video for "Hurt", a song written by Trent Reznor of Nine Inch Nails in the early-1990s, was nominated in seven categories at the 2003 MTV Video Music Awards and won the award for Best Cinematography. In February 2003, mere days before his 71st birthday, Cash won another Grammy for Best Country Male Vocal Performance for "Give My Love To Rose," a song Cash had originally recorded in the late 1950s. The music video for "Hurt," hailed by critics and fans alike as the most personal and moving music video in history, also won a Grammy for Best Short Form Video at the 2004 Grammy Awards.

June Carter Cash died of complications following heart valve replacement surgery on May 15, 2003 at the age of 73. June had told Cash to keep working, so he continued to record, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. (The July 5, 2003 concert was his final public appearance.) At the May 21, 2003 concert, before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage. He spoke of how June's spirit was watching over him and how she had come to visit him before going on stage. He barely made it through the song. Despite his health issues, he talked of looking forward to the day when he could walk again and toss his wheelchair into the lake near his home.

Less than four months after his wife's death, Johnny Cash died at the age of 71 due to complications from diabetes, which resulted in respiratory failure, while hospitalized at Baptist Hospital in Nashville, Tennessee. He was interred next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

In June of 2005, his lakeside home on Caudill Drive in Hendersonville, Tennessee, went up for sale by the Cash estate. In January 2006, the house was sold to a corporation owned by Bee Gees vocalist Barry Gibb for $2.5 million. The listing agent was Cash's younger brother Tommy.

Johnny Cash's final collaboration with producer Rick Rubin, entitled American V: A Hundred Highways, will be released posthumously on July 4, 2006.


From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame as both a living legend and an alternative country icon in the 1990s, Cash has influenced countless artists and left a body of work matched only by the greatest artists of his time. Upon his death, Cash was revered by many of the greatest popular musicians of his time.

But he was also valued outside his genre. According to the (extensive) liner notes for Unearthed:

Cash, to his amusement (and, you suspect, delight) had been declared "The Godfather of Gangsta Rap." Bob Johnston, Johnny's old friend and legendary producer who also came by to visit, recalls "one of the rap guys telling me, 'You're talking about us being bad? I grew up on Johnny Cash singing 'I shot a man in Reno just to watch him die!'"

Cash nurtured and defended artists on the fringes of what was acceptable in country music, even while serving as the country music establishment's most visible symbol. At an all-star concert in 1999, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, and U2. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed In Black contains works from many lesser-known artists.

In total, he wrote over a thousand songs and released dozens of albums, A box set, titled Unearthed, was issued posthumously. It included four CDs of unreleased material recorded with Rubin, as well as a "Best of Cash on American" retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee-Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay near his holiday home in Jamaica

In tribute of Cash's passing, country music superstar Gary Allan included the song Nickajack Cave (Johnny Cash's Redemption) on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom, and subsequently resurrecting his life and career.


Walk the Line, an Academy Award-winning biopic about Johnny Cash's lifetime starring Joaquin Phoenix as Johnny Cash and Reese Witherspoon as June Carter Cash (for which she won the 2006 Best Actress Oscar), was released in the U.S. on November 18, 2005 to considerable commercial success and great critical acclaim. In addition to its Oscar nominations, both Phoenix and Witherspoon have won various awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film. Cash personally chose Phoenix to play him, while June personally chose Witherspoon to play her.

Ring of Fire, a musical interpretation of Cash's life, debuted on Broadway on March 12, 2006 at the Ethel Barrymore Theatre.


1957 - Johnny Cash With His Hot and Blue Guitar

1958 - Johnny Cash Sings the Songs That Made Him Famous

1958 - The Fabulous Johnny Cash

1959 - Hymns by Johnny Cash

1959 - Songs of Our Soil

1959 - Greatest Johnny Cash

1960 - Johnny Cash Sings Hank Williams

1960 - Ride This Train

1960 - Now, There Was a Song!

1961 - Now Here's Johnny Cash

1962 - Hymns from the Heart

1962 - The Sound of Johnny Cash

1962 - All Aboard the Blue Train

1963 - Blood, Sweat, and Tears

1963 - Ring of Fire

1963 - The Christmas Spirit

1964 - Keep on the Sunny Side

1964 - I Walk the Line

1964 - The Original Sun Sound of Johnny Cash

1964 - Bitter Tears: Ballads of the American Indian

1965 - Orange Blossom Special

1965 - Ballads of the True West

1965 - Mean as Hell

1966 - Everybody Loves a Nut

1966 - Happiness is You

1967 - Johnny Cash & June Carter: Jackson

1967 - Johnny Cash's Greatest Hits

1967 - Carryin' on with Cash and Carter

1968 - From Sea to Shining Sea

1968 - At Folsom Prison

1968 - The Holy Land

1969 - At San Quentin*1969 - Johnny Cash

1969 - Original Golden Hits, Volume I

1969 - Original Golden Hits, Volume II

1969 - Story Songs of the Trains and Rivers

1969 - Got Rhythm

1970 - Johnny Cash Sings Folsom Prison Blues

1970 - The Blue Train

1970 - Johnny Cash Sings the Greatest Hits

1970 - Johnny Cash and June Carter Cash: Jackson

1970 - Johnny Cash: The Legend

1970 - The Walls of a Prison

1970 - Sunday Down South

1970 - Showtime

1970 - Hello, I'm Johnny Cash

1970 - The Singing Storyteller

1970 - The World of Johnny Cash

1970 - Johnny Cash Sings I Walk the Line

1970 - The Rough Cut King of Country Music

1970 - The Johnny Cash Show

1970 - I Walk the Line - Movie Soundtrack

1970 - Little Fauss and Big Halsy - Movie Soundtrack

1971 - Man in Black

1971 - Johnny Cash and Jerry Lee Lewis Sing Hank Williams

1971 - Johnny Cash: The Man, His World, His Music

1971 - The Johnny Cash Collection: Greatest Hits Volume II

1971 - Understand Your Man

1971 - Original Golden Hits, Volume III

1972 - A Thing Called Love

1972 - Give My Love to Rose

1972 - America

1972 - The Johnny Cash Songbook

1972 - Christmas: The Johnny Cash Family

1973 - The Gospel Road

1973 - Any Old Wind That Blows

1973 - Now, There Was a Song

1973 - The Fabulous Johnny Cash

1973 - Johnny Cash and His Woman

1973 - Sunday Morning Coming Down

1973 - Ballads of the American Indian

1974 - Ragged Old Flag

1974 - Five Feet High and Rising

1974 - The Junkie and the Juicehead Minus Me

1975 - Johnny Cash Sings Precious Memories

1975 - The Children's Album

1975 - John R. Cash

1975 - Johnny Cash at ?ster?ker Prison

1975 - Look at Them Beans

1975 - Strawberry Cake

1976 - One Piece at a Time

1976 - Destination Victoria Station

1977 - The Last Gunfighter Ballad

1977 - The Rambler

1978 - I Would Like to See You Again

1978 - Greatest Hits, Volume III

1978 - Gone Girl

1979 - Johnny Cash - Silver

1979 - A Believer Sings the Truth

1980 - Rockabilly Blues

1980 - Classic Christmas

1981 - The Baron

1981 - Encore

1982 - The Survivors

1982 - A Believer Sings the Truth, Volume I

1982 - The Adventures of Johnny Cash

1983 - Johnny Cash - Biggest Hits

1983 - Johnny 99

1983 - Songs of Love and Life

1984 - I Believe

1985 - Highwayman

1986 - Rainbow

1986 - Class of '55: Cash, Perkins, Orbison & Lewis

1986 - Heroes: Johnny Cash and Waylon Jennings

1986 - Believe in Him

1987 - Johnny Cash: Columbia Records 1958-1986

1987 - Johnny Cash is Coming to Town

1988 - Classic Cash

1988 - Water From the Wells of Home

1990 - Johnny Cash: Patriot

1990 - Boom Chicka Boom

1990 - Johnny Cash: The Man in Black 1954-1958

1991 - The Mystery of Life

1991 - Johnny Cash: The Man in Black 1959-1962

1991 - Come Along and Ride this Train

1992 - The Essential Johnny Cash

1994 - American Recordings

1995 - Johnny Cash: The Man in Black 1963-1969 plus

1995 - Highwaymen: The Road Goes on Forever

1996 - Unchained

1996 - Johnny Cash: The Hits

1998 - VH1 Storytellers: Johnny Cash and Willie Nelson

1998 - Johnny Cash at Folsom Prison and San Quentin

1998 - Johnny Cash: Crazy Country

1998 - Johnny Cash: Timeless Inspiration

1998 - Johnny 99

1999 - Johnny Cash: Super Hits

1999 - Johnny Cash and Carl Perkins: I Walk the Line/Little Fauss and Big Halsy

1999 - Just as I am

1999 - Rickabilly Blues

1999 - Cash on Delivery: A Tribute

1999 - The Legendary Johnny Cash

1999 - Johnny Cash and June Carter Cash: It's All in the Family

1999 - Johnny Cash at Folsom Prison

1999 - Sixteen Biggest Hits

2000 - Return to The Promised Land

2000 - Love, God and Murder

2000 - At San Quentin

2000 - Super Hits

2000 - American III: Solitary Man

2001 - Sixteen Biggest Hits: Volume II

2002 - American IV: The Man Comes Around

2002 - A Boy Named Sue and Other Story Songs rerelease of the 1998 album Crazy Country

2003 - Unearthed

2004 - My Mother's Hymn Book

2005 - The Legend

2005 - The Legend of Johnny Cash

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