TITLE	:Mic Check
ARTIST	:Rage Against the Machine
ALBUM	:The Battle of Los Angeles

*****Tabbed by Phil H*****

Tuning            :Drop D
One note column   :One guitar stroke
* above stanza    :Clean sound
* within stanza   :Scratch

***Strumming patterns included in tab***


Intro/Verse

   * * * * * * * *  * * * * * * * *  * * * * * * * *  * * * * * * * *
e|-------14--14--14-------16--14--14-------14--14--14-------13--14--14-|
B|-----14--14--14-------14--14--14-------14--14--14-------14--14--14---|
G|---14---------------14---------------14---------------14-------------|
D|-16---------------16---------------16---------------16---------------|
A|---------------------------------------------------------------------|
E|---------------------------------------------------------------------|

Interlude1

   * * * *
e|---------| I can't really tell if this part is
B|-5-5-5-5-| supposed to be played with a clean
G|-4-4-4-4-| sound or just light distortion.
D|---------|
A|---------|
E|---------|

Interlude2

e|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|--------------------------------------------------------------|
D|-*-*-*-*-*-*-*-*-***-*-*-***-*-*-*-*-***-*-***-***-*-*****-**-|
A|-*-*-*-*-*-*-*-*-***-*-*-***-*-*-*-*-***-*-***-***-*-*****-**-|
E|-*-*-*-*-*-*-*-*-***-*-*-***-*-*-*-*-***-*-***-***-*-*****-**-|

I can?t remember the name of the effect used here, but it should sound much like a DJ record scratching on a high note.

After you've finished playing the first part of Interlude2, freestyle with a phaser on the high strings for 16 more beats.

Outro

For the outro, do the same thing you did for the second
half of Interlude2. Just freestyle again with the phaser
until the end of the song.


Order:

Guitar 1	  Guitar 2
1) Intro x2   1) ----
2) Verse x2   2) ----
3) Verse x3   3) ----
4) ----       4) Interlude1 x7
5) Interlude2 5) Interlude1 x8
6) Verse x4   6) ----
7) ----       7) Outro