Artist: Pitchsifter
Album: Deviant
Song: Hidden Agenda
Tabbed by: Max Hammett

Tuning is Drop D.

Intro (is a bass but can be played on a guitar)
|e|-------------------------|
|B|-------------------------|
|G|-------------------------|
|D|---6--7-6-4-----6—-7-6-4-|
|A|-------------------------|
|D|-6----------6-6----------| continues throughout the verse.

The verse part goes like this and uses a pitchshifting effect.
|e|-------------------------|
|B|-------------------------|
|G|---14-13---------11-13---|
|D|-------------------------|
|A|-------------------------|
|D|-------------------------| (It's close)

This is where the drum beat starts to liven up.
   Part1               Part2
|e|-------------------|-------|
|B|-------------------|-------| The 4-3-2 is played after 4 times of
|G|-------------------|-------| Part1 and means that the second
|D|-4-4-4-4h6-6-4-4h6-|-------| guitar comes in at that point.
|A|-4-4-4-4h6-6-4-4h6-|-4-3-2-|
|D|-4-4-4-4h6-6-4-4h6-|-------|

After that is played 4 times another guitar plays this with some effect I havent worked out yet its just the same as the above riff but not playing chords and playing part 2 at the end of part 1 every time. Play that four times then,

“and you and you whatcha gonna do” (Pre Chorus)

|e|------------------|
|B|------------------|
|G|------------------|
|D|-6666666666666666-|
|A|-6666666666666666-|
|D|-6666666666666666-|
    pm_____________
Chorus

|e|-------------------------------|  An effect is also used for the
|B|-------------------------------|  3-2~ part.
|G|-------------------------------|
|D|-4—-6-46------4-44446-44-44-46-|
|A|-4—-6-46-3-2~-4-44446-44-44-46-|
|D|-4—-6-46------4-44446-44-44-46-|
 Pm      __      _ _____ __ __ __

So u play that 2 or 4 times and return to the verse and intro again for the second verse.

This is the hard bit at the end, it starts like so:

|e|-----------------------------------------|
|B|-----------------------------------------|
|G|-----------------------------------------|
|D|-64-64-64-64-6-4-9999999911-11-11-117777-|
|A|-64-64-64-64-6-4-9999999911-11-11-117777-|
|D|-64-64-64-64-6-4-9999999911-11-11-117777-|
   Then john sings just be thank full that its all the same.. a bunch of times then:

“yeah whatcha gonna do!?”
   /----------x2-----------------\/-------x2?---------\
|e|------------------------------|--------------------|
|B|------------------------------|--------------------|
|G|------------------------------|--------------------|
|D|------------------------------|--------------------|
|A|-64-64-64-64-6-4-4545-7777667-|-76-76-76-6-7-9-7-6-|
|D|------------------------------|--------------------|
  at the end of that, play the second part same frets on the D string another 2 times then and the song I think. On a live version he goes up another octave and plays that twice THEN ends the song.

In this song, I think almost every note that isnt played as a chord has an effect on it.

I would strongly advise u listen to the record for the timing, cause mines not accurate at all.
If u have any praise, disgust, or whatever, send them to kirk_hammett_51@hotmail.com