Handbook For The Sellout
Five Iron Frenzy
Our Newest Album Ever
Copyright 1997 5 Minute Walk Music(ASCAP)
Tabbed By Monkey Boy 

Intro: Rhythm: A5 C#5 F#5 E5 (2x)
	      Lead: G|-6-6-6-6||-10-10-10-10||-6-6-6-6||-4-4-4-4|
               D|-X-X-X-X||--X--X--X--X||-X-X-X-X||-X-X-X-X|
               A|-4-4-4-4||--8--8--8--8||-4-4-4-4||-2-2-2-2|

		          |-6-6-6-6||-10-10-10-10||-11-11-11-11|
		          |-X-X-X-X||--X--X--X--X||--X--X--X--X|
		          |-4-4-4-4||--8--8--8--8||--9--9--9--9|

			       |-13-13-13-13|
	             |--X--X--X--X|
		          |-11-11-11-11|

		Rhythm(with horns): A5 C#5 F#5 E5 (2x)

		Lead: G|-6-6-6-6/9-9-9-9||-6-6-6-6/4-4-4-4| (2x)
			   D|-X-X-X-X/X-X-X-X||-X-X-X-X/X-X-X-X|
			   A|-4-4-4-4/7-7-7-7||-4-4-4-4/2-2-2-2|

		Verse:(ska-rhythm)
			 A              C#m
			  You found a way to draw a line.
                    F#m
           Between the world and you.
                E                    A
           Faking your identity it's true.  Did
                              C#m
           you think the word alternative,
                     F#m                 E
           was only meant for the likes of you?

		Pre-Chorus:
		      B5                             E5
             Do you think that they're too cool now?
                B5                E5
             Being popular is lame.
                C#5                            F#5 B5  D5
             You're the one that made them popular,
                                               E5(2)
             all their songs are still the same.
		Verse:
            A                    C#m
             You found them first, it made you
                                  F#m
             stand apart, you know?  But then
                                 E
             everyone jumped on the same
                           A
             bandwagon, making you an
                           C#m
             average Joe.  A lemming for the
                          F#m
             mediocre, you were just a plain
                            E
             old joker, status quo.
	Pre-Chorus:
                B5               E5        B5
                 Blame it on the band now.  If you prick them
                         E5    C#5
                 do they bleed?  What's the point in
                        F#5        B5  D5
                 playing what they want, if you
                                 E5(2)
                 want let them succeed?

		Chorus:
                A5        D5    G5
                 Do you remember where we all
                 E5(2)      A5        D5
                 came from?  Do you remember
                           G5   E5(2) A5
                 what it's all about?  When you
                 D5              G5    E5(2)
                 made a point to be objective,
                A5           D5
                 before you started writing
                 E5(2)
                 Handbook for the Sellout?
	Repeat Intro: End Fill: G|13-14-| Trombone solo
					            D|-X--X-|
	                        A|11-12-|

		Bridge:
	  Guitar 1 G|-6-6-6-6-5-5-5-5-5||-6-6-6-6-4-4-4-4-4|
			     D|-X-X-X-X-X-X-X-X-X||-X-X-X-X-X-X-X-X-X|
	           A|-4-4-4-4-3-3-3-3-3||-4-4-4-4-2-2-2-2-2|

	  Guitar 2:B|14-14-14-14-13-13-13-13-13|
              G|-X--X--X--X--X--X--X--X--X|
		        D|11-11-11-11-10-10-10-10-10|

               |14-14-14-14-12-12-12-12-12|
		         |-X--X--X--X--X--X--X--X--X|
	            |11-11-11-11--9--9--9--9--9|

	Pre-Chorus:
                B5
                 You sunk your worth in being
                E5        B5
                 different, just to be like your own
                E5    F#5                B5    D5
                 kind.  You traded in objectiveness,
                                     E5(2)
                 for the underground you follow blind

	Chorus